Resistance comes in many forms; One of these is “engage cultural resistance”; The expression returned to the front of the martyr Basil al-Araj is organically linked to the idea that “you are using your culture as a weapon to attack your enemy.” At the same time, music/song/drama is entering the modern era as the latest war machine; How America was able to elevate its civilization above others – and their skulls eventually – through a Hollywood drama; What the Turks are doing is the same today through drama. The short film “I Fell” (produced and directed by the group “Delo”) sheds light on the darkness of the difficulty of resisting works with solid dimensions and far from stereotypes and clichés and ease of execution and execution.

“It is a collective effort made by many of those who prefer to work for their countries in their own way; From photography to editing, to music, to every detail of the work. Some prefer to remain anonymous, while others prefer their work to be identified by their name. So we have to respect that. ” The leader of the work, Lebanese director Kamel Harb, in his speech instructed the group to do this work, which was presented as the Delo group. This is the title of this video clip/work. The same can be found at the end of the clip with the note “More than 140 Arab and foreign artists and technicians who offered their names in Palestine participated in this work.” Actually, we have an organized system of work that has produced short dramatic work with high skill. The craft here doesn’t just mean photography, as many works are taken in the style of video clips, and they have lots of beautiful photos and bright, effective colors.
The work begins by addressing the well-known history of the Palestinian question, using music and background speech, as well as recalling the brutal days of the Arab-Zionist conflict that led to the loss of Palestinian land in 1948. starting with the fact used audio recordings of many Arab radio stations, as well as scenes from the archives of the entry of Arab army tanks into Palestine; Aside from the great Arab victory in October and the crossing and destruction of the well-known Bar-Lev line, the sound of Egyptian radio and the phrase “The following statement has come to us” dated from this victory. Then “I Fell” begins with its original story; It is a quiet “village”, the same village that the Rahbani brothers once dated. Even closer to a dream, it is reminiscent of any village in the expanded Arab world. A Palestinian (apparently due to the fact that he was wearing a white Palestinian sweatshirt) and his son were watching as enemy Zionist planes bombed the Jenin refugee camp. The use of Jenin was part of the imagination of the Arab resistance, due to the existence of the city and its camp as the center and sparkle of the resistance to Zionist occupation. The man and child continued to attack as the planes bombed and suddenly the planes targeted them. Then we moved on to the young man, and we still seemed to be together; The camp itself is being bombed. Here, famous Syrian artist Robin Issa plays the role of a mother looking for one of her children, who we later find out is her child. Issa’s participation in the work added a lot, as the Syrian actress was able to play with great skill, and this was important for the work and its creators, as the addition of an actress weighing two robins was gave the work not only authenticity, but also the depth and breadth necessary for its success and validation of its importance. Of course, there is a large group of talented and famous actors at work, such as Mohsen Abbas (an old man at work who cries over his son). to miss the moment of its release; Let’s also mention Zamel Al-Zamel, Yamen Suleiman, Fadi Shaer.
The decor, as well as the details of the destruction, are real and delicate, and it also counts for the work, as it shows the creators ’attention to detail. Soon a phase of resistance began as Palestinian militants emerged from the tunnels with boxes labeled “The Promise of a Future Life”. The piece borrows a scene from Elia Suleiman’s film The Hand of God when a child throws his stone at a Zionist plane into the sky to knock it down, albeit metaphorically. Arab/Islamic forces are beginning to move towards Palestine. At the end of the film, we observe the meeting of the people of liberated Palestine with the troops of their liberators. We see moments of hug and celebration as perhaps the most beautiful and powerful moments of work. It ends with the kite flying high as rockets arrive and destroy the Al-Qiriya building, the headquarters of the Zionist Ministry of Defense in the occupation capital. Although there is almost no speech in the clip, there is a duet between Carol Aoun and Mohamed Safi El-Din singing, and it is very well deserved. Toward the end of this visionary work, we saw a kind of news report describing how “the people of Jerusalem celebrated the arrival of the first convoy of liberation” and “thousands of boats sailed from the port of Gaza. to the coast of Jaffa. ” . The international news and media are full of direct scenes proving that Israel has fallen. ”
In general, work is necessary and important; Foresight and intertwined. Necessary, because such work must be accumulated, repeated and repeated around it. Predictive and confusing because he says the collapse of the Zionist entity is inevitable, no matter what happens. In terms of performance and technology, one can talk at length about the efforts of young volunteers who “dedicated their names to Palestine”, and this is very important and considered one of the best. characteristic, “because many want to give everything they have to liberate Palestine and are waiting for the opportunity”, said the director of labor. It was reported that the work was presented to a private party in Tunisia, and it had a great response and was accepted by the public there, that “there is still a clear and visible compass towards Palestine,” according to the director of the work. . to us.