HomeOpinionElephant 6 and the other soundtrack of the 90s

Elephant 6 and the other soundtrack of the 90s

In the 80s, when we were heading to a court basketball to throw some balls and imitate our heroes, it was common to see children wearing sneakers from brands that were not known worldwide, any piece of fabric with a low sole was fine. But, as the decade progressed, so did children’s footwear: first Converse shoes, then other brands (Adidas, Reebok) until, finally, already in the 90s, Nike pairs multiplied.

What ends in the brief previous paragraph is a parable of capitalism: the more the NBA sells game rights and recaps from around the world, the more brands are committed to sponsoring players. First, they did it in pairs: Converse’s ads, for example, combined two and three players at the same time (Magic and Bird, if memory serves); over time, other brands decided to imitate Converse. Until Nike came up with the idea of ​​taking just one player, Michael Jordan, who they hoped would become the greatest ever, and advertising the line they created for him as if he wasn’t a team sport player. but a tennis player or a golfer. – an individuality rather than a part of a whole.

Capitalism makes its calculations out of millions: its market is all human beings on top of the Earth, subdivided into categories: how many humans are there who are interested in the NBA? Of those, how many will be Jordan fans? How much of a Jordan fan do you have to be to drop x on a sneaker? Can the undecided become fans (ie buyers)? There, yes? So take another 10 million for the marketing department and see if you can convince them.

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Source: Observadora

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