This edition is the twenty -fourth in the history of this forum, in which a group of Arab creative women from Lebanon, Libya, Egypt, Syria, Morocco and Jordan participated. The audience listened to lectures and testimonies about the representation of the forbidden trinity from the religion. in sex politics.
Among the most famous testimonies given by the duo, Fadel Al-Jaibi and his partner Jalila Bakkar, that they represent the forbidden trinity in their nearly fifty years of experience in the theater, where they repeatedly clashed with the authorities because of the boldness of their speech. .
In addition to this testimony, Rafiqa Al-Buri (Tunisia) delivered a lecture entitled “Removing the Masks of Temptation and Suffering” and a presentation by Jordanian Maryam Jabr entitled “Religious Extremism in the Arab Feminist Novel”. Poet Leila Nassimi from Morocco presented a presentation entitled “Literary Discourse and Aspects of Violation of the Unspoken”.
Syrian researcher Savsan Deko presented a presentation entitled “The Forbidden Trinity in the Works of Arab Women: An Epistemological Reading”. For Libyan researcher Wafaa Al-Buazi, he presented a study entitled “Religious extremism as a result of reality or text? Approach to the wonders of Afghan Arabs in the novel “The Knights of the Cough”. Writer Amna Al-Rumayli is interested in the Forbidden Trinity in Amira Ghoneim’s novel The House of the Greats.
The forum, created in the nineties of the last century, has the main task of monitoring the changes of feminist creativity in the Arab region, and most Arab women create poetry, storytelling, theater, cinema and plastic art. in its meetings. . , but like most forums in Tunisia, it has seen a significant decline since the so -called “revolution”, despite the atmosphere of freedom and self -expression it provides. The decrease is either in the regularity of copies, or in the number of posts. The return of the forum after a two -year absence is considered a boon for the Arab cultural scene in a cultural environment where the female voice is still besieged and sometimes condemned, especially when it is loud and shameless.
